Neda Ulaby

As Audiences Shift To Cable, TV Programming Changes, Too

Neda Ulaby — Fri, 05 Apr 2013 07:18:00 +0000

Mad Men comes back for its sixth season Sunday at an opportune moment for basic cable. Last weekend, 25 million viewers combined watched The Bible and The Walking Dead on basic cable channels. That's more than triple the audience for The Good Wife on CBS that same night.

So are we looking at a convergence between scripted shows on broadcast and cable? It's hard not to wonder, when you see broadcast networks rushing to replicate gruesome death scenes like the ones relished by The Walking Dead's enviably sizable audience.

Why Are TV Remotes So Terrible?

Neda Ulaby — Tue, 26 Mar 2013 07:23:00 +0000

Let's call it the baby sitter's dilemma.

If you go to someone's house and pick up the TV remote, chances are, you won't know how it works. You know the situation's bad when even a tech writer who also majored in physics at an Ivy League school is confused by her own TV remote.

"It's unbearable to me," moans Ars Technica writer Casey Johnston, of her remote's many cryptic buttons. "Sub.code? Comp/mix?

Toy Fair: Markers That Don't Blot Walls, Sand Without The Mess

Neda Ulaby — Mon, 11 Feb 2013 18:53:00 +0000

Toy Fair 2013 in New York started Sunday and runs until Wednesday. NPR's Neda Ulaby had the tough assignment of sizing up the acres of fun offerings. She brings us this report:

The venerable industry convention Toy Fair celebrates its 110^th anniversary this week. But it might as well be the 1970s or '80s within the great glassy expanse of New York City's Javits Center.

Vast acres of displays baldly appeal to the nostalgia of today's 30-to 40-something parents.

In Rapid-Fire 2012, Memes' Half-Life Fell To A Quarter

Neda Ulaby — Thu, 27 Dec 2012 08:29:00 +0000

http://www.youtube.com/watch?v=_OBlgSz8sSM

http://www.youtube.com/watch?v=Y4MnpzG5Sqc

Are All Young Artists 'Post-9/11' Artists?

Neda Ulaby — Sun, 09 Sep 2012 09:47:00 +0000

When museum curator Nicholas Bell was putting together the show Craft Futures: 40 Under 40 at the Smithsonian Institution's Renwick Gallery, he realized the artists had something in common besides their under-40 status.