Natalie Charle Ellis, Scott Richard Foster, Jenny Lee Stern and Marcus Stevens are part of Gerard Alessandrini's <em>Forbidden Broadway</em> troupe, which is returning to the stage after a three-year hiatus.
Credit Carol Rosegg / Forbidden Broadway
Natalie Charle Ellis and Jenny Lee Stern get their Marilyn on in the <em>Smash</em> parody "Let Me Be Subpar," with help from Marcus Stevens.
After 27 years of writing wickedly funny lyrics and sketches for Forbidden Broadway, the tiny off-Broadway comedy that satirizes Broadway musicals, Gerard Alessandrini decided to hang things up for a while.
"I just thought, let's see what happens to Broadway in a year or two or three, and then, if we feel it warrants a new edition of Forbidden Broadway, we'll do that," he says. "And that's exactly what happened."
Weekend Edition Sunday guest host Linda Wertheimer speaks with Wendy Welch and Jack Beck, owners of Tales of the Lonesome Pine bookstore in Big Stone Gap, Va. They are looking for someone to watch their shop while embarking on a two-month book tour. Wendy has written a memoir about owning a brick and mortar bookshop in a small, rural community.
Barack Obama won more than 95 percent of the black vote in the last presidential election, and Democrats are expected to have a huge advantage this November. Even so, Republicans looked for ways to appeal to those voters at their convention in Tampa, Fla.
Though the convention hall was packed with delegates this week, it wasn't until gospel star Bebe Winans and the Tampa Bay City Life Church Chorus came on stage that there was any sizable number of African-Americans around.
Along the shore of Lake Erie, the rusting relics of Buffalo, N.Y.'s industrial days have long blocked access to the water and posed risks to residents. Now, after decades of inaction, the city is finally clearing a path for the public to return to the waterfront.
Buffalo's approach has been dubbed "lighter, faster, cheaper." Tom Dee has led this effort as president of the Erie Canal Harbor Development Corp., a special state agency in charge of city waterfront property. He says years were wasted chasing grand redevelopment projects, but now the strategy is more homegrown.
In his book, Robert Sullivan considers, among other things, how little Emanuel Leutze's 1851 painting <em>Washington Crossing the Delaware</em> has in common with the actual historic crossing, which took place at night and during a snowstorm.
Credit Metropolitan Museum of Art / AP
Robert Sullivan's writing has appeared in <em>The New Yorker, The New York Times</em> and <em>Vogue</em>, where he is a contributing editor.
Credit Myrna Copaleen / Courtesy of Farrar, Straus and Giroux
When we think of the seminal moments in the birth of the United States of America, many people would point to the battles of Lexington, Concord and Bunker Hill. But according to Robert Sullivan, the founding landscape of our nation is not in Massachusetts. It is in and around New York.
In his new book, My American Revolution: Crossing the Delaware and I-78, Sullivan writes that the majority of battles in the Revolutionary War were fought in the middle colonies: New York, New Jersey, Connecticut and Pennsylvania.
Originally published on Fri September 7, 2012 12:10 pm
Throughout the week at the Republican National Convention in Tampa, Fla., NPR digital journalists asked delegates, politicians and other attendees to react to the statement: "Why I'm a Republican." Here are some of those responses. (And here's what we heard from Democrats in Charlotte.)