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Krohn Conservatory
1:54 pm
Tue April 23, 2013

Butterflies of Morocco flutter into Krohn Conservatory

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Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
The butterflies are in flight.
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Jennifer Seifert had a butterfly that refused to fly away. In the midst of capturing the photo, another butterfly landed on her face. My eye did not see it happen, but the camera captured it.
Credit Sarah Ramsey
Devin and Elliott Riley used special paper provided by the exhibit to try to catch a butterfly.
Credit Sarah Ramsey
Angelia Snellgrove was not quite sure what to do with her butterfly but she did enjoy having it on her arm.
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
Credit Sarah Ramsey
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By Sarah Ramsey

Krohn Conservatory is now featuring "Butterflies of Morocco." The exhibit also highlights the art and culture of Morocco.

General Manager Ruthann Spears says more than a million people have visited the Cincinnati Parks Butterfly Show since it began in 1996. "We expect 90,000 people this year," says Spears. 

"Butterflies of Morocco" will be at Krohn Conservatory from April 20-June 30, 2013.

Cincinnati Ballet
1:32 am
Fri April 19, 2013

Frampton comes alive, at the ballet

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Music great Peter Frampton is entering new territory – ballet! His music will be the focus of the next performances of the Cincinnati Ballet on April 26 and 27. In addition to some of his previously recorded music, he tells our Brian O’Donnell that he has written a brand new piece specifically for the ballet.

Playhouse in the Park
1:32 am
Fri April 19, 2013

"Double Indemnity" on stage

"Double Indemnity"
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By Rick Pender

Cincinnati’s Playhouse in the Park brings one of Hollywood’s classic Billy Wilder films to the stage. Double Indemnity is a story filled with intrigue, lust and murder and it begins its premiere fun in the Marx Theater on April 25. One of the challenges of this production is the complex set, so Rick Pender talks with the set designer, Paul Shortt, about successfully staging a play with so many set changes while maintaining the dramatic tension.

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